I don't know who exactly Eric Moralles is, but 14 or so of his magazines show up in my mail every month. I'm not complaining. While Fisherman Monthly and Cutlery Today usually end up in the recycle bin, my roommate Kirt's golf-swing has seen significant improvement thanks to Golf Magazine, my buddy Mike has increased his net worth by a thousand percent due in part to Forbes mysteriously showing up monthly, and because I now read Esquire I know more about January Jones than I ever knew I needed to. Spin shows up, too, and I usually passively flip through it to see if anything catches my eye. The latest issue (With Sony Records wunderkinds MGMT on the cover) features a pretty brutal interview with Lou Reed, where Lou baits and attacks the hapless journalist, who neglected my biggest concern about this new live album (which is really great): that
horrendous album cover. And that got me thinking about other eye sores from this year. The whole thing has snowballed, and here we are, the ten worst album covers of the year. Thank you, Mr. Moralles.

Lou Reed-Berlin: Live at St. Anne's Warehouse
Oh Lou, poet launderette of the back alley, the junkie tale, and the pan-sexual nightmare manifesto. What’s this I hear? You’ve signed to Matador, home of such well respected indie acts as Cat Power, Sonic Youth, and Yo La Tengo? And ‘yer new album is a live staging of your classic, brilliantly chauvinistic, morally corrupt masterwork, “Berlin?” That’s awesome Lou! It’ll totally make up for that Killers duet! Let me see it, Lou! Please? Oh, wow. Um. Sleeveless? Really? Who are you, Broooooooooce Springsteen? Well, I suppose if we’re honest, you’ve looked
stupider.

Offspring-Rise and Fall, Rage and Grace
I’ll be honest; my hatred for this one is personal. It’s just that I drew this art on the back of my 5th grade social studies binder during class, intending to use it as the cover for my comic book in progress, “Cosmic Angel Death Dealers (In the 3rd Dimension).” The Offspring stole my art however, and used it for their new album and I have yet to be compensated financially or credited for my work. And C.A.D.D. (I. T. 3. D.) issue 1, still in progress, is now without cover art.

Ryan Adams- Cardinology
Press packets would indicate that it’s sobriety that’s pushing Ryan Adams deeper and deeper into boring Dad-rock territory with each subsequent album, but this bafflingly ugly cover image indicates to me that his rebellion against singer songwriter trends has taken on a purely visual bent: No longer will he record goofball metal as Werewolph, schizo-rap as DJ Reggie, or scuzz punk with Jesse Mallin as the Finger, now, Ryan will simply assault his listeners with neon tinted-
what the hell is this anyway? A peace sign with a cardinal head? Adams earns some points for allowing graphic novelist Leah Hayes to create the artwork for the vinyl version of album, which is significantly cooler.

Disturbed –Indestructible
If only this lame-ass cover was the most cartoonish thing about this album. Proof positive that Arizona based artist Todd McFarlane won't license images of Spawn to just anyone.

Lil’ Wayne- Tha Carter III
Now that I think about it, this might not be a bad cover. It may be the best album cover of the year, actually. It's so ripe for psycho-analysis, so Freudian. Is this how Wayne views himself? A baby in man's clothing? Or is it even deeper, a metaphor for the entire rap game, one where machismo and thug posturing has left this set of men in a state of permanent Peter Pan-hood? A reference to that fact that gangsta men will have gangsta babies? Most importantly, was the baby given a bottle of codeine & promethazine-containing cough syrup cut with Sprite during the photo shoot?

Hinder-Take It To the Limit
Ladies and gentlemen, in face of the biggest economic crisis in American history since the Great Depression, Hinder is proud to present the cover to their new album, "Take It to the Limit," replete with champagne, expensive cars, hoes galore and a
freaking mansion. In a year when AC/DC releases their new album as a Walmart exclusive, it takes a band with serious panache to prove themselves
biggest hard rock douches of the year. Ladies and gentlemen, Hinder are those douches.

AC/DC-Black Ice
Speaking of which! I guess when you're a band with a logo as iconic as AC/DC, you don't really need to bother with creative cover art. I guess when you're a band with a sound as iconic as AC/DC, you don't really need to bother with writing an album that doesn't sound like a blurry copy of a photocopy of everything you've ever done. I guess when you're a band with sales as solid as AC/DC, you don't really need to bother with distributing your highly anticipated new album to the independent record stores that have sold and played your albums the entirety of your career. No, you can slap a cheesy black cover and your name on a record, send it off to Walmart, and let the public gobble that regurgitated shit up.

Conor Oberst- Conor Oberst
It's a shame Oberst has wrapped his best album in years in this sleeve. Nothing says "Hey everyone, get excited about my new album of existential road tripping!" like falling asleep on your own album cover.

Kottonmouth Kings-The Green Album
"Green Album! Get it?" -Stoner chuckles- "Ya know, like the Beatles "White Album," but ya know, green?" -More dazed laughter- "Green! Like, uh, weed! Get it? We smoke weed and we named ourselves Kottonmouth Kings and our album is GREEN! COS WE SMOKE WEED AND IT'S GREEN!" Can we just legalize the stuff already so assholes like these guys can find something worthwhile to devote album covers and songs to?

My Morning Jacket-Evil Urges
Because nothing says artful disappointment like having a guy block the view of your album cover. Look! There's the band, cheekily photo-shopped into some ornate balcony. I wonder if they are blocking the view of the shadow figure's album cover like he's blocking theirs.
---Jason P. Woodbury